While working with writing, performance, video/sound installation and photography, Cho has explored the presence of insignificant ‘folds’ within the ‘various forms of life’. Basing her work on her own private experiences, the artist reflects upon the notion of a floating, wandering existence by composing her narratives on contemporary living conditions. Concerned with ‘points of rupture’, ‘symptoms of beauty’, and the ‘ambiguities of our human condition and reality’, Cho weaves her practice around the intellectual, psychological and physical spaces of impossibility as well as around the state of the undetermined that is derived from languages, time, memories, histories and locations.