■ Exhibition 

Selected for the [Emerging Artists & Curators 2024], curator Eunha Chang's exhibition, Sad Captions: Everything Has Been Washed Away; I Can Only Write ‘Sad’..., focuses on diverse voices of artists around 'sadness' amidst the contemporary desire to become numb to external events and experiences. Through a carefully curated selection of works spanning from the 1990s to the 2020s, itnavigates the turbulent waters of 'sadness' arising from various contexts such as racism, cyberbullying, climate crisis, and pandemics. As visitors uncover the fragmented words and remnants of 'I,' the very subject of 'sadness,' they foster a deep connection with 'my' unique sadness while writing their own 'captions' and forging new bonds along the way. 

The exhibition Sad Captions: Everything Has Been Washed Away; I Can Only Write ‘Sad’... is a space that waits for the ‘sadness’ of the plural 'I' to be explained through you, rather than reducing, classifying, analyzing, or clarifying the cause of ‘my’ ‘sadness.’

■ Eunha Chang

Eunha Chang is a curator and researcher based in Seoul. She leads the long-term curatorial project Post-sexual Futures: Towards Queer Non-humanisms (2022-). Notable exhibitions and curatorial projects include Beings Swimming Backstroke towards the Waterfall (2023-2024, PS333), Autophagy: Eating in its Destructive and Creative Nature (2022-2023, BeautifulSoup & de Appel), Invasive Species Behind the Notoriety: Multi-directional Narratives for Abundant Futures (2021, Asia Culture Center), and Portals, Teleportation (2021, Ankara House & Buyukdere35 Art Gallery). Chang has participated in the Liverpool Biennial Curatorial Study Group (2021, Liverpool Biennial), Convening the Untitled  (2023-2024, Seoul Museum of Art), Forking Room (2023, Post Territory Ujeongguk), and Multiple Crises and the Asian Anthropocene (2023, KAIST, IBS). She has worked at the Istanbul Biennial, National Museum of Modern and Contemporary Art, Korea, and Seoul Museum of Art. Chang holds a BA in Art Studies from Hongik University and an MA in Contemporary Art Theory from Goldsmiths, University of London, graduating with distinction. She is currently a Fulbright scholar starting a Ph.D. program in Art History in the fall of 2024.