In his article “Art collective today - While we see the present with the eyes of the past, we are still connected as long as there is light for a while.”, NAM Woong demonstrated the catastrophe of a deadly protest condemning the apathy of the state and loose morality by groups of isolated youth, who have been displaced due to the urban development that has taken place since the 1990s.
An on-the-ground report on the collective identity of young artists living in so-called impoverished times with the motive to subvert individual identity and prioritize collective identity, NAM’s article was honored and acclaimed for the way it plainly captured the genetic status of a new form of art with his unique, extraordinary literary expressions.
In order to raise post-medium discourse, in “Analysis of Sulki & Min’s Ephemera Image: This is not a Pipe Poster,” MOON Jung-hyun employed parody, a rhetorical appropriation that utilizes existing facts to discuss what is beyond. In this process, he successfully performed critical appropriation by pursuing accuracy and integrity of basic data, and he was honored with acclamation that his great style of writing and original keywords demonstrated the true face of the new generation in criticism.