“Even After This Body Dies” (1988) is a painting that focuses on the joys and sorrows of displaced people. The barbed wire running across the canvas symbolizes the Military Demarcation Line that divides North and South Korea, and the hand of an old man poking out
from the soil, which is desperately clinging to the barbed wire, expresses his fervent desire to reach his hometown even after death. On the other side of the fence a green field stretches out in the distance with flowers under a clear sky; far away, a woman wearing a pink skirt can be seen walking down a country lane. This imagery expresses the longing for family members who were abruptly separated during the war while simultaneously conveying the yearning for reunification.
Shin Hak-chul (b. 1943) graduated from the Department of Painting at Hongik University in 1968. He has held several solo exhibitions including “Shin Hak-Chul: Invitational Exhibition” at Seoul Museum in 1982; “The Great Statue We Have Created” at ARKO Art Center in 2003; and “Emerging Artist: Shin Hak-Chul” at Gimhae Arts and Sports Center in 2014. He has participated in group exhibitions including “AG” at National Museum of Contemporary Art, Korea, currently MMCA from 1970 to 1975; “Controversial Artists” at Seoul Museum from 1981 to 1984; “The Art of Life” at Arab Culture Center/Gwanhoon Gallery/The Third Museum in 1984; “Anti-Torture” at Geurimmadang Min in 1987; “Reunification” and “Dear Gwangju! Dear May!” at Geurimmadang Min in 1989; “15 Years of Minjung Art: 1980-1994” at National Museum of Contemporary Art, Korea, currently MMCA, in 1994; “The 1980’s Realism and the Age” at Gana Art Center in 2001; “You Are My Sunshine” at Total Museum of Contemporary Art in 2004; “Korean Rhapsody: A Montage of History and Memory” at Leeum, Samsung Museum of Art in 2011; “Humans, Humans ？ The Pictorial History of Ordinary People by Shin Hak-Chul and Ahn Chang- Hong” at Gyeonggi Museum of Modern Art in 2013; and “Regrettable Times” at Seoul Museum of Art in 2018. He is the recipient of the 1st Korean People’s Arts Award in 1991 and the 16th Kumho Art Award in 1999.
Shin Hak-chul is one of the artists who led the socio-political art movement called Minjung Art in 1980s South Korea. He started his career as an artist in the late 1960s, actively embracing Western avant-garde art. He used collage techniques to portray the materialist threat toward everyday life under the mass consumption society of industrialized Korea in the mid-1970s and began to focus on the material properties of objects in the context of modernist art in the late 1970s. Later, in the early 1980s, Shin released the “Modern orean History” series, comprised of 23 works in total, in which he interpreted and recreated the modern and contemporary history of Korea through his unique imagination. This series encompasses the independence movements during the Japanese colonial period, liberation, the Korean War and the division of the Korean Peninsula, and Korea’s post-war socio-political history. Entering the 1990s, Shin focused on the lives of the ordinary people such as farmers and laborers, and in the 2000s, he portrayed the diverse aspects of Korean society and its growing disorder in the 21st century through the “History of Contemporary Korea: “Gapsuni and Gapdori” series.
