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Buk-Seoul Museum of Art 전시

페이스북 sns 트위터 sns 카카오 sns

  • 장소
    Buk-Seoul Museum of Art  2층 Exhibition Hall 2
    Buk-Seoul Museum of Art  2층 Project Gallery 2
  • 부문
    internet art
    Kim Beom, Rho Jae Oon, Rostlaub, Michael Mandiberg, Mok Jin-Yo, Mioon, Seol Eun-A, I/O/D, Yangachi, MTAA, Jung Sungyoon, jodi.org, Takuji Kogo
  • 관람료
    SeMA, Buk-Seoul Museum of Art(Co-organized by Aliceon)

WEB-RETRO examines the history of new art that emerged with the World Wide Web and its network, which has fundamentally changed the conditions of communication, image production, consumption, and artistic practice over the past thirty years. With the emergence of the internet, the 1990s and the 2000s marked an era when artists actively began to explore the roles and rules, as well as the possibilities and limitations of the new medium. WEB-RETRO aims to revisit this period and reexamine how artistic practices have been transformed by the internet over the years. Considering the unique characteristics of internet art, the exhibition explores the medium in three aspects – “How did internet art look at the society and engage itself with it?,” “How did internet art reflect the cognitive changes in the meaning of individual existence and image?,” “How did internet art expand the boundaries of art in its time?” 

In response to these questions, the exhibition introduces the following categories of artworks. The first is a group of works which utilized cyberspace as an alternative space for expression and a strategic media outlet by way of social intervention, or critical response against the society by revealing its hidden aspects. The second category looks at artistic experiments that redefined conventional artistic medium and explored new realms of expression made possible by technologies such as screen images, virtual reality, real-time remote control, and etc. The third group represents those works which embraced the open environment of the internet where anyone could become a creator, and where underground cultures and active communication flourished in both commercial and public realms. 

In addition to the artworks, WEB-RETRO presents an online archive project which links important, historical works of internet art on the website, as well as an offline archive which traces important chronologies and events in the technological, social and cultural developments of the genre. Moreover, the exhibition includes a special restoration project for those artworks that could no longer be exhibited due to their outmoded technology. Collectively, the archive projects aim to introduce the wide range of artistic attempts in internet art from both the Korean and international art world, and construct a comprehensive topography of their historical, cultural and technological context. By providing such long-term, broad perspective of the genre, the archives hope to build a foundation for further in-depth art historical research by identifying the critical periods and characteristics of the genre. 

WEB-RETRO not only hopes to provide an important starting point for art historical research on internet art that is yet to be established in Korean contemporary art, but also to address the issues of its conservation and collection, and to provide an opportunity to deeply contemplate the potential possibilities of post-internet art today.

Seoul Museum of Art