Gijeong Goo, who has been embodying nature within the features and experiences of digital devices, raises questions in his latest work about how urban dwellers can remain useful to nature and sustain an attitude inspired by it, even in a state of isolation from nature. He also explores whether it is possible to transcend anthropocentrism without physically moving the body. The work was inspired and initiated by the nature-friendly design studio of the artist's friend. By designing the growth and combination of various plants placed by the window of a small office in an urban building, he was collecting and nurturing plants with strange patterns or unique colors, arranging them within the space, through the relationship between urban plant keepers (humans) and companion plants (non-humans). The artist photographed and 3D scaned the companion plants, collecting high-resolution data to create images. The images of TV and structures are then framed within actual screens, juxtaposing real and virtual imagery to induce a meditative immersion in the viewer. Through this, the artist questions the gap between experiencing meditative nature and the cycle of utilizing what is given in urban environments, such as digital devices and human technological design. He aims to deconstruct and reconstruct digital nature in the most urban manner.